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Melchers work arrives here
American Impressionist Gari Melchers' foremost painting, which took the European art world by storm, goes on exhibit at his former home in Stafford County
Date published: 6/1/2007
By CLINT SCHEMMER An American masterpiece has come to town, taking up residence in the place that can best tell its story--the Gari Melchers Home and Studio in Falmouth. "The Sermon," the sweep-you-off-your-feet painting that put Melchers on the map in the international art world, goes on view today at Belmont. Created in the Netherlands during the artist's youth, it can now be enjoyed by the public where Melchers happily spent his final years. The property of the Smithsonian Institution's American Art Museum in Washington, it has never been exhibited here, yet is the most critically acclaimed painting of his career. Rich in hue, monumental in size, full of quiet mystery, this is the artwork that cemented Melchers' reputation as a top American artist of his day. It earned him an honorable mention in the Paris Salon of 1886, meeting the highest standards in the world in the city where all the fine artists of the time were flocking to compete, Belmont curator Joanna Catron said. "That's really something for an American, because [to the French] they don't know anything, they're barbarians," she said. "It's very, very big. He is painting so technically well and with such expressive power, in a French way, that he passed muster among a sea of thousands." The sensitive, poetic painting depicts a young Dutch woman who has nodded off during a church service, prompting a reproachful look from the older matron seated beside her. Leavening realism with humor, it captures every detail of class, costume, lighting and psychology. The public loved "The Sermon" when it was first shown in Paris, the era's most important exhibition venue. They prized the honest, yet nostalgic, way it depicted rural life. Peasant painting was then the rage in the French capital, and this work was judged a real feat for Melchers. Critics predicted he had a promising future. "The American artist is endowed with such a sagacity of observation that the ordinary ways of the modern Netherlands will find, very probably, in this young man of twenty-six years, a painter as faithful to them as were the illustrious contemporaries of Rembrandt," Leon Gauchez wrote of Melchers in the Paris journal L'Art in July 1886.
Date published: 6/1/2007
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